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Visual Art During the Harlem Renaissance
Excerpt from an oral history interview with painter Archibald Motley, 1978.

Excerpt from an oral history interview with painter Archibald Motley, 1978.

Citation Information
Excerpt from “Oral history interview with Archibald Motley,” Digital Public Library of America, https://dp.la/item/f6f36019bdb1129de40535f67ccbe925.
Note: These citations are programmatically generated and may be incomplete.
Courtesy of the Archives of American Art via the Smithsonian Institution.

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Item 6 of 13 in the Primary Source Set Visual Art During the Harlem Renaissance

Previous ItemNext Item
Harlem Street with Church, a hand-colored relief print by William H. Johnson, circa 1939-1940.
Lift Every Voice and Sing (also known as The Harp), a sculpture by Augusta Savage commissioned for the 1939 World’s Fair.
Lenore, a portrait bust sculpture by Augusta Savage.
Firebirds, a lithograph by Romare Bearden.
A 1939 photograph taken at the Harlem Art Center by Berenice Abbott.
Excerpt from an oral history interview with painter Archibald Motley, 1978.
A handwritten list of pictures submitted to the Whitney Galleries by Beauford Delaney, including two oils, four charcoals, and ten pastels.
A photograph of artist and teacher Lois Jones.
A photograph of Palmer Hayden painting.
Midsummer Night in Harlem, a 1938 painting by Palmer Hayden.
African Phantasy: Awakening, a Winold Reiss illustration from the 1925 anthology The New Negro: An Interpretation, edited by Alain Locke.
Harlem Street Scene, a print by Charles Alston, circa 1935-1943.
A photograph of sculptor Leslie Garland Bolling working on a wood carving.

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