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Primary Source Sets
Their Eyes Were Watching God by Zora Neale Hurston
Photographs from Folk Beliefs of the Southern Negro, 1926, which capture African American folk culture in the South.

Photographs from Folk Beliefs of the Southern Negro, 1926, which capture African American folk culture in the South.

Citation Information
Puckett, Newbell Niles, “Folk beliefs of the southern Negro,” Digital Public Library of America, https://dp.la/item/f866e7fc1dd55aaa6983cd7acd71f722.
Note: These citations are programmatically generated and may be incomplete.
Courtesy of The New York Public Library.

Tips for Students

For this source, consider:

  • the author's point of view
  • the author's purpose
  • historical context
  • audience

Item 4 of 14 in the Primary Source Set Their Eyes Were Watching God by Zora Neale Hurston

Previous ItemNext Item
“Art and Such,” a 1938 essay by Hurston criticizing the belief that African American art should be political.
A 2013 article by Dan Olson about Zora Neale Hurston and the use of African American vernacular in her writing.
An article by Shirley Cathcart offering background information on Hurston’s representation of the folk in literature.
Photographs from Folk Beliefs of the Southern Negro, 1926, which capture African American folk culture in the South.
A 1936 list of common superstitions in African American folklore in South Carolina.
An excerpt from a 1911 report on the successes and challenges of African American communities after Reconstruction.
Extracts from an address to Tuskegee students by Booker T. Washington in 1900 which offers Washington’s philosophy of education.
Excerpts from a 1903 report on the Robert Hungerford Industrial School in Eatonville, which prepared children for an agricultural society.
A photograph of the Robert Hungerford Industrial School, 1925.
A 1907 photograph of the home of J. E. Clark, postmaster in Eatonville, FL, Hurston’s hometown and the city in which the novel is set.
A 1907 photograph of the home of S. M. Moseley, mayor of Eatonville, FL, Hurston’s hometown and the city in which the novel is set.
A 1907 photograph of J.E. Clark's pineapple farm in Eatonville, FL, Hurston’s hometown and the city in which the novel is set.
A 1907 photograph of the city Council and jail in Eatonville, FL, Hurston’s hometown and the city in which the novel is set.
A photograph of the Everglades in Florida, where the protagonist Janie lives with her husband Teacake.

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