The Digital Public Library of America (DPLA) is pleased to announce that the Alfred P. Sloan Foundation has awarded DPLA a $1.5 million grant. The grant will enable DPLA to expand its efforts to provide an improved ebook experience for libraries and their patrons, building on its cultural heritage aggregation program.
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We are pleased to announce the launch of a new service hub, Digital Virginias, with over 58,000 items now discoverable in DPLA.
The DPLA Board’s response to the community letter from November 14, 2018 can be read here.
STAFF CHANGES Q: Why did DPLA eliminate six positions? A: We had to think critically about structuring the staff to ensure that we can sustain the organization in the long term and had to make the difficult decision to eliminate certain staff roles, effective November 15. As DPLA looks to 2019 priorities and project grants […]
For the past several months, the leadership and board of the Digital Public Library of America have been developing and refining a strategy that will enable us to build on the success of our first five years and ensure the long-term future of DPLA. We recognized that in order to do so, we had to […]
One of the core goals for the new membership program is to strengthen our partnerships and give our Hubs more of a voice within our partner network and on our work at DPLA, so we are excited to share perspectives on our recent meeting directly from some of our members. Hear from guest authors Emily Pfotenhauer, Lauren Algee, and Pamela Wright on their experiences and insights about the recent Members Meeting.
The Digital Public Library of America (DPLA) is pleased to unveil its all-new redesigned website, now live at https://dp.la.
We are once again pleased to team up with libraries, archives, and museums across the country and around the world for #ColorOurCollections week, a celebration of public domain reuse and proudly coloring in your free time, taking place February 5 through February 9, 2018.
Unless you haven’t been out of your house for the past month, you know that it’s Girl Scout cookie season. The girls out tugging boxes of cookies around the neighborhood are learning all sorts of skills they’ll use later in life as political leaders, entertainers, astronauts, and athletes. Literally. For proof, check out this list of 25 of the most famous Girl Scouts while enjoying the last of your Thin Mints and Caramel Delights…until next year.
Interested in using DPLA to do family research, but aren’t sure where to start? Consider the family Bible. There are two large family Bible collections in DPLA—over 2,100 (transcribed) from the North Carolina Department of Cultural Resources, and another 90 from the South Carolina Digital Library. They’re filled with rich information about family connections and provide insight into how people of the American South lived and died during the—mainly—18th and 19th centuries.
The Digital Public Library of America seeks applicants to serve as Service Hubs and Content Hubs in our growing national network. The applications and corresponding instructions are now available.
Building the newest DPLA student exhibition, “From Colonialism to Tourism: Maps in American Culture”
University of Washington MLIS graduate Greg Bem writes about his experience developing a new exhibit for DPLA—”From Colonialism to Tourism: Maps in American Culture”—as part of the Digital Curation Program. The new exhibit is now available on dp.la/exhibitions.
Heather Harren, Education and Outreach Manager at the Blue Earth County Historical Society in Mankato, MN, describes the national attention that has been brought to her organization through their participation as a contributor to the Minnesota Digital Library and DPLA.
Bob Sandeen describes the Nicollet County Historical Society’s experience as a contributing institution to the Minnesota Digital Library and the DPLA.
The DPLA is pleased to announce an update to the Metadata Application Profile (MAP). The DPLA MAP is the basis for how data is structured and validated in DPLA, and guides how data is stored, serialized, and made available through our API in JSON-LD. The MAP is based on the Europeana Data Model (EDM), and integrates the experience and specific needs for aggregating the data of America’s cultural heritage institutions.
Patricia Maus discusses her experiences at the University of Minnesota Duluth as a contributing institution to the Minnesota Digital Library and the DPLA.
“Putting It on the Line”: Citizen Participation in the Democratic Process, Georgia State University’s Digital Collections
Stephen Zietz is the Head of Special Collections and Archives at Georgia State University. The department has a staff of six professional librarian/archivists and four paraprofessionals and is distributed across campus in five locations. Over the last six years, Special Collections and Archives has expanded it collections scope and reenergized its oral history program.
We are often asked about our metadata application profile (called the DPLA MAP) and the metadata “requirements” for participation in DPLA. In response, we released a new document, “An Introduction to the DPLA metadata model,” which offers a detailed introduction to the DPLA MAP, describes how we harvest metadata, and outlines the types of metadata that our partners provide us.
The methods behind the maps: Primary resources about landscape theory of the American Cemetery Movement, 1831-ca. 1945
A guest post by Jennie Benford, Programming Director for the Homewood Cemetery Historical Fund in Pittsburgh, PA. I am an archivist and my area of expertise is historic American cemeteries. I am paid to design tours, publications, and programs based on the history of the cemetery. Not just the people there, of whom there are […]
As our current users know, the depth of the riches in the DPLA sees no bounds. So, today we’re launching http://digitalpubliclibraryofamerica.tumblr.com/ to bring these riches to new audiences on tumblr.