About

Staff

Staff

Staff  /  Staff Blog Posts

Amy Rudersdorf

Amy_RudersdorfAssistant Director for Content / Email Amy
Amy Rudersdorf is the DPLA Assistant Director for Content. She is responsible for digitization partnerships and related workflows, metadata normalization and shareability, and community engagement to promote the DPLA as a community resource. Amy formerly served as the director of the Digital Information Management Program at the State Library of North Carolina. She was a Library of Congress National Digital Stewardship Alliance coordinating committee member and an active voice in the digital preservation community. Amy has taught library graduate school courses on digital libraries and preservation (San Jose State University) and metadata (North Carolina Central University). Prior to moving to state government, she worked with digital collections in special collections at North Carolina State University, coordinated a digital production group at the University of Wisconsin-Madison, and worked with public libraries throughout Wisconsin to aid in the development and coordination of Library and Service Technology Act (LSTA) funded digitization grants.

Every dog she has ever owned has been named after a musical performer: Lemmy (Kilmister), Milton (Jackson), and Yma (Sumac). Only one of her cats was named for a former president (JimmyCarter).


Audrey Altman

audrey_altmanTechnology Specialist / Email Audrey
Audrey Altman is a Technology Specialist for DPLA.  She works with Director of Technology Mark Matienzo and fellow Technology Specialist Mark Breedlove to design, develop, test, integrate, support, and document user-facing applications and back-end systems; support content management policies, process, and workflows, and contribute to the development of new ones; and collaborate with stakeholders to contribute to strategic and tactical planning and implementation of content stewardship applications and technologies.  Audrey previously worked as a web developer for Digital Research and Publishing at the University of Iowa Libraries, and for the University of Iowa Digital Studio for Public Arts & Humanities.  She holds a Masters of Library and Information Science from the University of Iowa, a M.A. in American Studies from the University of Alabama and a B.A. in Theater from Albion College.

While Audrey doesn’t have a single favorite DPLA item, she is partial to zoological drawings like those of the White HeronSquat LobsterSnail, and Collared Hedge Hog.


Dan Cohen

Executive Director / Email Dan
Dan Cohen is the Founding Executive Director of the DPLA, where he works to further the DPLA’s mission to make the cultural and scientific heritage of humanity available, free of charge, to all. Prior to his tenure, Dan was a Professor of History and the Director of the Roy Rosenzweig Center for History and New Media at George Mason University. At the Center, Dan oversaw projects ranging from new publishing ventures (PressForward) to online collections (September 11 Digital Archive) to software for scholarship (the popular Zotero research tool). His books include Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web (with Roy Rosenzweig) and Equations from God: Pure Mathematics and Victorian Faith. Dan was an inaugural recipient of the American Council of Learned Societies’ Digital Innovation Fellowship. In 2011 he received the Frederick G. Kilgour Award from the American Library Association for his work in digital humanities, and in 2012 he was named one of the top “tech innovators”  in academia by the Chronicle of Higher Education. Dan received his bachelor’s degree from Princeton, his master’s degree from Harvard, and his PhD from Yale.

Because Dan has two dachschunds, his favorite DPLA item is this photo of a dachshund enjoying a beverage.


Emily Gore

EmilyGoreheadshotDirector for Content / Email Emily
Emily Gore is the Director for Content of the Digital Public Library of America. In this role, Emily provides strategic vision for DPLA content and metadata, coordinates content and collections workflows and oversees the DPLA Hubs program. Much of Gore’s current daily work focuses on identifying and helping to establish new Service Hubs for DPLA.  Before joining DPLA, Emily served as Associate Dean for Digital Scholarship and Technology at Florida State University Libraries. Emily’s 15 year career in libraries has largely focused on building digital collection collaborations among cultural heritage institutions.  During her career, Emily has received over $4 million in grant funding for this work.  She has an MLIS from the University of Alabama, a BA from Clemson University and is a 2011 graduate of the Frye Leadership Institute.

In her spare time, Emily enjoys being on the water.  Emily grew up on the North Carolina coast and enjoys swimming and boating in the Intracostal Waterway and the Atlantic Ocean as much as possible. Emily has a Harlequin Great Dane named Ella who is her pride and joy; as such, this is her favorite DPLA item. Emily’s also a bit of a music junkie who has a vault of music lyrics in her head.  This has earned her the nickname “Juke” among a number of her close friends.


Franky Abbott

franky_abbottACLS Public Fellow, Project Manager / Email Franky
Franky Abbott is an American Council of Learned Societies (ACLS) Public Fellow working as a project manager for the Digital Public Library of America. In this capacity, she organizes the Community Reps program, the Gates-funded Public Library Partnerships Project, and research and outreach initiatives to teachers, students, and librarians in K-12 and higher education. She has experience as a project manager in digital humanities at the University of Alabama’s Alabama Digital Humanities Center and Emory University’s Digital Scholarship Commons and digital publishing as managing editor of the open access journal, Southern Spaces. Additionally, she has worked in education research and assessment and as a K-12 classroom teacher. Franky has a PhD from Emory’s Graduate Institute of Liberal Arts in American Studies, a M.A. in Southern Studies from the University of Mississippi, and a B.A. in Literature and African American Studies from Yale University.

Franky’s current favorite DPLA item is “Tony Tone and Charlie Chase of the Cold Crush Brothers outside United Bronx Parents.”


Gretchen Gueguen

IMG_5196Data Services Coordinator / Email Gretchen
Gretchen Gueguen is a Data Services Coordinator, working alongside our Director and Assistant Director for Content to bring on new partners, conduct data mapping and ingest, perform quality assurance, and support several other critical projects. Prior to DPLA, Gretchen worked as Digital Archivist at the University of Virginia where she helped establish the first born-digital archives program. Gretchen has also worked at East Carolina University and the University of Maryland where she received her MLS in 2005. Gretchen has been involved several collaborative digital library and digital humanities projects throughout Maryland, Virginia, and North Carolina.

Gretchen’s current favorite DPLA item is “Roller Derby at Atlanta Municipal Auditorium,” showing the early days of her favorite sport.


Hillary Brady

BradyBioPic (1)Research Assistant / Email Hillary
Hillary is a Master’s candidate in the Public Humanities program at Brown University. In her graduate work, her interest area includes digital humanities projects, archival research, writing for the web and accessibility of cultural organizations. She also recently ended a summer interning at The Metropolitan Museum of Art’s Digital Media department. Hillary has a B.A. in Journalism and English from The University of Rhode Island.

 

 


Kenny Whitebloom

kenny_whitebloomProject Coordinator / Email Kenny
Kenny Whitebloom ​is a Project Coordinator at​ ​DPLA, where he organizes outreach projects, ​​including the ​volunteer ​Community Reps program and​ ​DPLAfest​,​ strategic​ ​and special​ ​initiatives, and other operational efforts that help further DPLA’s ​mission. He previously worked at the Berkman Center for Internet & Society at Harvard University. Kenny holds a MLIS from Simmons School of Library and Information Science and a BA in History and Italian from Vassar College.

Kenny’s current favorite DPLA items are the bindings for A Kentucky Cardinal and Aftermath (1900), Like a Gallant Lady (1897), The Tent on the Beach (1899), and The Legatee (1903).


Mark Breedlove

mark_breedloveTechnology Specialist / Email Mark
Mark Breedlove is a DPLA Technology Specialist, who contributes to the design and implementation of the organization’s ingestion, API, and front-end website. His work has been concentrated in the development of the ingestion system, which moves data from providers to the DPLA datastore, and the development of the organization’s new DevOps systems.  He works closely with the Director of Technology and the Content team. Before coming to DPLA, Mark was the Technical Director at See.me, a social discovery website for artists, and the American Museum of Natural History, building scientific web applications and content management systems for its Science Division.

Mark’s current favorite DPLA item is Gunn’s Domestic Medicine, or Poor Man’s Friend.


Mark A. Matienzo

Director of Technology / Email Mark
Mark A. Matienzo is the Director of Technology for DPLA. As Director of Technology, Mark is responsible for the overall technology vision for the DPLA and overseeing its implementation. Mark also serves as the primary technical contact for outside organizations, partners, and developers. Prior to joining DPLA, Mark worked as an archivist and technologist specializing in born-digital materials and metadata management, at institutions including the Yale University Library, The New York Public Library, and the American Institute of Physics, and participated in projects such as the ArchivesSpace open source archival management system and AIMS – Born Digital Collections: An Inter-Institutional Model for Stewardship. Mark received a MSI from the University of Michigan School of Information and a BA in Philosophy from the College of Wooster, and was the first awardee (2012) of the Emerging Leader Award of the Society of American Archivists.

Mark’s current favorite item is Do you have a goat?

Rachel Frick

Rachel2014_hires_cropBusiness Development Director / Email Rachel
Rachel Frick is the Director of Business Development. In this position, she is responsible for building out DPLA’s sustainability plan and forging extensive new relationships in order to build DPLA’s visibility, impact, and financial resources. She comes to DPLA, having served as the director of the Digital Library Federation program at the Council on Library and Information Resources for the past four years. In her capacity as DLF Director, she was instrumental in building a large and diverse community of practitioners who advance research, teaching and learning through the application of digital library research, technology and services. Frick held senior positions at the Institute of Museum and Library Services and the University of Richmond, among other roles. She is widely known in the library, archive, and museum world for her vision, organizational know-how and commitment to open culture. She served as the co-chair of DPLA’s Content Committee during its initial planning phase.


Tom Johnson

Metadata and Platform Architect / Email Tom
Tom Johnson is the DPLA Metadata and Platform Architect, where he helps to further improve DPLA’s metadata model and related infrastructure and to expand upon its work with linked open data. Tom is a digital librarian, programmer, and metadata expert with a strong commitment to open cultural heritage. Tom came to DPLA from Oregon State University, where he worked on digital curation, scholarly publication, and related software and metadata issues as Digital Applications Librarian and Assistant Professor.

 


Read posts written by our staff

Included below are entries in our series of behind-the-scenes posts from DPLA staffers. We hope that these posts will give you additional insight into what we’re working on, how we work, and progress toward our goals.

Read More


Back to School with DPLA
September 2, 2014

Back to School with DPLA

It’s the first day of school for most kids in the United States, and so a good time to highlight the resources the Digital Public Library of America has ready and waiting for students and teachers this school year. Just like kids, DPLA spent the summer growing and maturing, adding new partners, new staff, and over a half-million items along the way. And we’ve been thinking a lot about how we can be most helpful in the classroom; this fall we will be talking to many educators from K-12 through college to get their advice.

Version 3.1 of the DPLA Metadata Application Profile (MAP) now available!
August 12, 2014

Version 3.1 of the DPLA Metadata Application Profile (MAP) now available!

The DPLA is pleased to announce an update to the Metadata Application Profile (MAP). The DPLA MAP is the basis for how data is structured and validated in DPLA, and guides how data is stored, serialized, and made available through our API in JSON-LD. The MAP is based on the Europeana Data Model (EDM), and integrates the experience and specific needs for aggregating the data of America’s cultural heritage institutions.

Report from the Public Library Partnerships Project Workshops
July 31, 2014

Report from the Public Library Partnerships Project Workshops

In April 2014, after research and planning, the Public Library Partnerships Project team started to convene one-day workshops for public librarians interested in digitization. Each hub—Digital Commonwealth, Digital Library of Georgia, Minnesota Digital Library, and Mountain West Digital Library—gave a workshop in the spring. We then met as group to discuss the curriculum and make necessary changes for the later workshops. We also relied on feedback from participants in the first workshops and the survey and informal feedback they had offered about their experiences. Since that meeting, we’ve continue to give workshops: so far eight more with an additional five scheduled through the end of September.

Let’s Keep the Momentum Going
April 17, 2014

Let’s Keep the Momentum Going

It’s hard to believe that a year has already gone by since our launch last April. It’s been a whirlwind here in the Boston headquarters of DPLA, and across DPLA’s ever-expanding national network of libraries, archives, museums, and cultural heritage sites. The surging numbers in our collection—6.7 million items from over 1300 contributing institutions, up from 2.4 million and 500 a year ago—attest to the tremendous momentum we’ve achieved.

On the Right to Link
April 4, 2014

On the Right to Link

The U.S. Copyright Office has asked for comments on a proposed new right for copyright holders, the “making available” right, which would restrict the ability to link to content the open web. With the help of DPLA Legal Committee member Dave Hansen, Dan Cohen filed a response.

A Trip to the Nantucket Historical Association
April 2, 2014

A Trip to the Nantucket Historical Association

This is part of a series of behind-the-scenes posts from DPLA staffers. We hope that these posts will give you additional insight into what we’re working on, how we work, and progress toward our goals.

Last month I had the pleasure of traveling to the Nantucket Historical Association (NHA) in Nantucket, Massachusetts for an archival site visit with the good folks from the Boston Public Library’s (BPL) digital services department and the Norman B. Leventhal Map Center. We were there to meet with NHA staff and survey the 120 year-old island historical association’s collection of historical maps…

Getting it Right on Rights: Simplifying, Harmonizing, and Maximizing the Openness of Rights in Digital Libraries around the World
March 18, 2014

Getting it Right on Rights: Simplifying, Harmonizing, and Maximizing the Openness of Rights in Digital Libraries around the World

DPLA recently submitted an entry to the Knight Foundation's News Challenge, which asks entrants to answer the question: how can we strengthen the Internet for free expression and innovation?

Read about DPLA’s entry to the Knight Foundation’s News Challenge, “Getting it Right on Rights: Simplifying, Harmonizing, and Maximizing the Openness of Rights in Digital Libraries around the World.”

10 awesome videos from DPLA’s collections
March 14, 2014

10 awesome videos from DPLA’s collections

While most DPLA users are familiar with the millions of images and texts in our collections, most may not be aware that we also have a growing assortment of some 15,000+ video records. These videos cover a tremendous range of subjects, from WWII-era public service documentaries to contemporary interviews with well-known musicians.

Promoting Interoperability: Working on Rights
March 3, 2014

Promoting Interoperability: Working on Rights

This is part a series of behind-the-scenes posts from DPLA staffers. We hope that these posts will give you additional insight into what we’re working on, how we work, and progress toward our goals.

Recently, DPLA teamed up with our colleagues and friends at Europeana and Kennisland to promote global interoperability of our metadata, and specifically our Rights Statement fields. In October 2013, Europeana and the DPLA organized a first joint rights management workshop to explore this possibility in Boston.

A Helping Hand: Free Software and the DPLA
February 24, 2014

A Helping Hand: Free Software and the DPLA

DPLA is committed to making cultural heritage materials held in America’s libraries, archives, and museums freely available to all, and we provide maximally open data to encourage transformative uses of those materials by developers. In addition, DPLA is also proud to distribute the software we produce to support our mission to the wider community. In this post, Director for Technology Mark Matienzo details DPLA’s engagement with free and open source software.

Page 1 of 212»